Materials

David Oroian, Weapons & Hard Surface Artist at AMC Ro Studio, walked us through the process of making a wood material for a rifle, showed the steps of color correction, and explained how he adds personality to the textures to make the result realistic.

Alexandra Lazarenko shared a breakdown of the Puffer material, explained how the coat was made, and offered some tips for beginner artists.

Max Kutsenko discussed the workflow behind the Substance Receipt material, shared the nodes used for the paper and creases, and explained how the coins were made.

3D Material Artist Niki Marinov shared the working process behind the Leica Lens project, explained how the maps for the asset were set up, and spoke about procedural modeling in Substance 3D Designer.

You can get the material or make one yourself with Ryan King's tutorial.

Pablo Blanes has shared an extensive breakdown of the 3 Set PBR Wood Bark project, detailing his workflow in Substance 3D Designer and sharing some tips and tricks on creating procedural materials.

The creator has also shared an in-depth breakdown of the project.

Sophie Almecija shared the working process behind the stylized fishing net material, explained the workflow in Substance 3D Designer and Painter, and shared some tips for aspiring artists.

Victor Hermosa talked about creating rock ground and concrete materials using DALL-E 2's AI and explained how Substance 3D tools helped them to achieve the desired result.