Articles
The Creation Process Behind an Underground Polluted Well
Math Roodhuizen talked about the workflow behind the Tishen's Well project, told us about the creation of modular assets, and discussed the creation of the polluted water shader.
Author
Math Roodhuizen
Published on
Sep 14, 2021
Making a Wall Braker HDA in Houdini
Ekaterina Surikova talked about the working process behind the Houdini Wall Breaker project and shared some useful tutorials for aspiring Houdini Artists.
Author
Ekaterina Surikova
Published on
Sep 14, 2021
Making a Doom-Inspired Body Pile Material
Nikolay Marinov has returned to show us his latest project – a body pile material made in 3ds Max, Houdini, and Substance and inspired by the Doom series.
Author
Nikolay Marinov
Published on
Sep 13, 2021
Making a Stylized Cyberpunk Scene in Blender and UE4
Nathan Alderson discussed merging the Old with the New in the latest City at the Gates project, talked about blocking out the environment, and shared some thoughts on texturing in both Substance Painter and Designer.
Author
Nathan Alderson
Published on
Sep 06, 2021
Making a Vegetation-Consumed City in 3ds Max, Substance & UE5
Raúl Blázquez González talked about creating his first solo environment, explains the working process, and discusses the importance of vegetation in environment art.
Author
Raúl Blázquez González
Published on
Sep 02, 2021
Creating a Stylized Parametric Forest in Substance Designer
A Solution Consultant at Adobe Substance 3D Cino Lai discussed the Stylized Parametrized Forest project, talked about parametric assets, and explained the nuances of Substance Designer's procedural modeling workflow.
Author
Cino Lai
Published on
Aug 31, 2021
Ghibli-Style Procedural Wall Material in Substance 3D Designer
Go grab a nice pack for stylized environments or for your Substance 3D Designer studies.
Author
Arti Sergeev
Published on
Aug 30, 2021
Using ZBrush+Substance Designer Combo to Create a Brick Material
Anastasiya Osichkina has returned to tell us about her recent project called Mixed Bricks and talk about working in Substance Designer, ZBrush, and Marmoset to create wonderful materials.
Author
Anastasiya Osichkina
Published on
Aug 26, 2021
Adobe's New R&D Allows Artists To Edit 3D Models With Brush Strokes
This new approach could be a game-changer for procedural production.
Author
Arti Sergeev
Published on
Aug 25, 2021
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