Articles

This tasty-looking project was made by Johnny Malcolm.

The artist explained how to set up wind effects and showed a method of generating procedural clusters for the textures.

Create tree leaves with realistic textures with this new node by Guang.

Kateryna Yavorska told us about the workflow behind the Abandoned London Pub Diorama project, explained how complex surfaces were created using Substance 3D Painter and Substance 3D Designer, and shared how mentors at Vertex School helped her during the production.

Learn how Cino Lai created the embroidery for the Python Robe project in Substance 3D Painter, Designer, and Stager.

The project was made by Ognyan Zahariev to explore the mood and style of Hayao Miyazaki's movies.

This complex scene continues the series of Vasiliy Poryagin's large-scale environments.

John Enderle shared the workflow behind the Procedural Sci-Fi Material Generator project, explained why Substance 3D Designer was chosen for material creation, and showed how the customizable material was set up.

Ryan Honey has told us about his working process behind the 1892 Singer Sewing Machine project, spoke about his approach to the topology and unwrapping the model for texturing, and shared how he set up the wooden and metallic surfaces.